Kunsthalle Exnergasse Archive

Who Cares? invites staff and representatives of art and cultural institutions as well as artists to explore how care can become part of institutional practice. Together with Miriam Wistreich, Director of UKS, Oslo (Young Artists' Society) the Sharing Session examines how institutions can better support artist-parents and other caregivers through practical tools - specifically through care riders.

HOOD Dreaming is an audio composition practice that talks about the impossible, the necessary, and the not-yet-real, and imagines worlds in which parents and caregivers are comprehensively supported.

Queer Nursing book reading by Liesel Burisch, Community Picnic and Fort Building hosted by HOOD for Artist Parents, PREACH concert by Jesseline Preach

Screening of the video essay The Future is Near (in the neighborhood) by former kex—residents Natalia Matsenko and Yuri Yefanov. The event will also feature contributions by Sebastian Sattlecker and Ida Zahradnik.

As part of the exhibition after the last ready-made, the curators Dorian Bonelli and Frederik Marroquín will guide visitors through the exhibition and are open for questions and discussion. The tour will be held in German and English, with Spanish available upon request.

Der Workshop findet im Rahmen der Ausstellung "after the last ready-made" statt und verbindet Bewegungsmeditation mit einer Einführung in Stimmübungen wie Growling und Stimmverzerrung. Es werden dynamische Atemübungen vermittelt, die die Stimmarbeit unterstützen. Auf kreativer Ebene regen diese die Teilnehmenden dazu an, eigene Mantras und Gesangsbeschwörungen zu entwickeln, die den tanzenden Körper beflügeln.

The Performance BICHO RARO is part of the exhibtion “after the last ready-made”.
BICHO RARO explores the world of bodybuilding – its lifestyle, routines, and aesthetics – revealing the tension between contemporary body cults and a queer perspective on the body.

The Workshop is part of the exhibtion "after the last ready-made". During this workshop we will reflect on our relationship with clothing, the concept of planned obsolescence, fleeting trends, perishable materials, and about repair as a post-capitalist care practice. Bring your favorite piece of clothing and one piece you would like to give away.

Im Rahmen des Festivals „Synergies of Solidarity“ von Queer Art Spaces Vienna werden Tipps und Tricks für künftige Tunthatlet*inenn verraten. Ein besonderer Schwerpunkt wird auf Do´s and Don´t beim Synchronbügeln und auf die richtige Technik beim Handtaschenwurf gelegt werden.

As part of the “Synergies of Solidarity” festival by Queer Art Spaces Vienna, the association hint.wien presents an evening of highly intersectional queer poetry and storytelling to mark Pride 2026.

Understanding queerness not as an identity but as a strategy in times of change, the exhibition is a project within the festival Synergies of Solidarity organized by Queer Art Spaces Vienna celebrating the art and community. after the last ready-made curated by Dorian Bonelli and Frederik Marroquín focuses on textile work, crafting, and sensitivity.

Curators Elisabeth Falkensteiner and Nora Mayr will guide visitors through the exhibition. Loud and faint, perceptible and obscured, the group exhibition High on Distortion, Low on Reception explores the sounds of our present – layered with noise, lost in resonance. At the core is their role as communication, sensation, and cultural experience.

Wie klingt ein Kunstwerk? – Ok, das ist vielleicht noch einfach. – Aber wie klingt eine
Schulklasse, unsere Klasse? Was macht gerade unseren Klang aus? Ist der Sound jeder
Klasse anders? Und vor allem, wo klinge ich in dieser Gruppe? Innerhalb der Ausstellung komponieren die Schüler*innen gemeinsam ein Klangstück, das ihre Klasse widerspiegelt.

The two live sound sessions are dedicated to listening as a practice of turning toward the unfiltered or the seemingly disruptive.

We are pleased to welcome Tobias Tavella to our artist and research residency program.

In the discussion with the artists, questions are explored that revolve around what is heard and what falls silent.

Loud and faint, perceptible and obscured, the group exhibition High on Distortion, Low on Reception explores the sounds of our present – layered with noise, lost in resonance. At the core is their role as communication, sensation, and cultural experience.

permanent temporär evolves over a five-week series of interconnected invitations and events, culminating in an exhibition whose opening will only take place at the end of the process.

permanent temporär evolves over a five-week series of interconnected invitations and events, culminating in an exhibition whose opening will only take place at the end of the process.

In the programme kitchen, everyone comes together to discuss professional paths and invitation policies, shifts in discourse, gaps, power structures, and spaces of possibility. They reflect on friendship economies and networks and how all of this shapes artistic programmes, but also art scenes.

We focus on the reciprocal influences and relationships between artists (biographies) and art spaces: Which potentials arise for self-empowerment and emancipation from collective historiography and how is knowledge collaboratively produced and transmitted? Similarly, the audience in the hall is welcome to join in the discussion with their own questions or statements, and naturally, a healthy dose of gossip is always welcome.

Sheeko, sheeko is a relaxed, open gathering. The welcoming atmosphere fosters a space for sharing stories, experiences, and wisdom from one’s own life and many years of activism.

As the starting point of permanent temporär, the spatial setting by Julian Siffert and Seth Weiner will be presented. In Hilma Bäckström’s Puppenmuttis Selbstbedienungsbar, visitors can help themselves and each other, and Francis Ruyter will launch the Regular Wednesdays series as its first host.

The Trustmaking Guidebook explores how young people can lead the way in reimagining cities through collaboration and creativity. This innovative approach to intergenerational co-creation transcends conventional urban planning paradigms, offering strategies such as arts-based interventions and placemaking to empower young people to co-create inclusive urban presents and futures.

Innerhalb der von Sara Castelo Branco kuratierten Ausstellung "Botanizing the Asphalt" setzt sich der Workshop mit dem Thema Lichtverschmutzung und ihren Auswirkungen auf Mensch und Natur auseinander. Neben Klimaänderungen und dem Einsatz von Pestiziden gehört die Überhandnahme künstlicher Lichtquellen zu den Hauptgefährdungen von Nachttieren. Besonders nachtaktive Insekten, wie das Wiener Nachtpfauenauge, der größte Schmetterling Mitteleuropas, sind davon betroffen. Doch wie reagieren Tiere genau auf nächtliche Beleuchtung? Lässt sich Licht umweltfreundlich einsetzen, vielleicht sogar umlenken? Gibt es so etwas wie tierfreundliche Beleuchtung überhaupt?

The live performance “Electrify Everything” translates the seductive and captivating magic of demonstrations of the eighteenth-century Enlightenment into a critical exploration of the origins of the units and language used to measure electricity. The field of electricity has been developed, manipulated, and named for three centuries to control and apply it.

The exhibition Botanizing the Asphalt explores the political role of urban spaces at night through three thematic realms that intersect with the nocturnal: protest, energy, and the botanizing.

The exhibition project Botanizing the Asphalt explores the political role of light in urban spaces at night. Examining the materiality of night and its sensorial, normative, and atmospheric aspects, the potential of the nocturnal as a community meeting space unfolds against the backdrop of pressing social, ecological, and political contexts.

“Beneath the Surface: Deep Listening, Buried Narratives, and Embodied Resistance” is a lecture performance by Luïza Luz, based on their book of the same title (2024, Archive Books & we make it). Combining spoken words and somatics, it introduces deep listening as an embodied political practice. Participants are invited to sense how power and emotion take shape in the body, where listening becomes a practice of awareness, refusal, and collective attunement.

Natalia Matsenko is an independent curator, art critic, and lecturer. She focuses on the landscape and environmental transformations, human and nonhuman communities as well as networks, new media, and cultural heritage preservation. Yuri Yefanov is a Ukrainian artist and filmmaker whose work explores the otherworldly digital dimensions of computer-generated imagery.

At the end of the exhibition building < against, there will be a festive exit. With our self-built protest structure, flags, and trumpets, we will march to St. Marx. A procession through Vienna, a parade for more autonomous free spaces. We hand over our structure and warm ourselves by the fire in St. Marx. Feel free to come in costume, as a clown, Pulcinella, or juggler, etc. We will go in any weather.

What’s the weight of a ton when distributed amongst peers, handled and moved around with archaic DIY instruments? With Moving Mass we aim to bridge the concepts of The Right to the City, Commons, and Action-based research. We’ll be looking at Mass both as an assembly of people and as the physical opposite of a void. Gravity, leverage, torque; using bodies and mass as means of transgression. Aiming to achieve what’s seemingly impossible we won’t necessarily be.

We are pleased to invite you to the open studio of Natalia Matsenko and Yuri Yefanov! The curator and artist are part of our artist and research residency program from September to October 2025. Under the title City Visions 2050 – Between Reality and Utopia, they invite you to join them for an exchange.

The Wharf, the “construction site by the water,” is a place for building, learning, reading, planning, and resting. Over six construction days, we will work with you to build a vehicle for protest, which we will ceremoniously drive out at the end of the exhibition. No skills, more thrills.

In the workshop, we will first show a few fun “building materials” from the shelf, talk about protesting, and then work with clay, water, and wool ourselves in protest. This will take place in the shipyard. We want to pay special attention to the use of raw wool for all possible and impossible purposes in construction. The end result: wool paving stones, felt tiles, or even your own little “Wollbau” (cf. Folke Köbberling).

Together with the young people, we will build in the "Werft". Based on the exhibition and the specific materials on the shelf, we will develop materials and props for the final move-out at the closing event. In the workshop, we explore the question of how (building) materials and protest are connected and how we ourselves can create and produce “revolutionary materials.” The focus is on the experiences and views of the young people themselves.

This multimedia workshop uses speculation and simulation to explore the dynamics of city life. Firstly, participants share the most significant challenges they face, discussing potential solutions and their vision for the future of the city. The next phase brings these speculative ideas to life. Using a virtual city built in a gaming engine, participants design the neighbourhood of the future they have imagined.

We write, compose poetry, and make sense of the inconsistencies in the city. In a guided process, we create haikus, shortest stories, crossed-out poems, and collaborative typewriter poetry. In Romanian, German, Hungarian, French, English, and any other languages and symbols you bring with you. Everyone is welcome; writing experience is not a prerequisite.

The Bussi Beginner Workshop explores the group's favorite topics: urban development, de-gentrification, appropriation of space, and neighborhood. Between theatrical, participatory, and semi-rehearsed tips and tricks, they walk together with participants through the 17th district, starting at Dornerplatz.

building < against refers to the non-conformist production of space, resistant buildings, protest architectures, autonomous and functionally open architectures, the preservation and cultivation of places, radical reconstructions. And even more radical practices of not building at all.