KUNSTHALLE EXNERGASSE

Here, art is made in the margins – between night feeds and school runs, between loss and life. It is made amidst leaking bodies and small sticky hands, in stolen minutes, in the gendered debris of daily life.

What happens when a practice of sustaining life is recontextualized in an art space? What changes when an act shifts from necessity to intention? Many forms of maintenance, support, and attentiveness unfold unnoticed, woven into everyday rhythms. What do they become once they are made visible? Through which forms can they appear? What rhythms define these practices?

For the 45th anniversary, the curators of "On Chewing Shoelaces" will give a guided tour. The performance "Bored A F" which follows, turns boredom into an experience—and invites visitors to rediscover the perspectives of parents and children.

HOOD Dreaming is a regenerative concept and practice that reimagines a supportive environment for parents working in the arts who navigate their dual responsibilities as artists and caregivers.

From Mexico to Albania, from former Yugoslavia to Afghanistan, from East Germany to Syria, there live generations of people whose sense of reality shattered from one moment to the next: a major shift in their country’s political landscape transformed every aspect of their daily life. Off the Precipice is a curated group exhibition with ten artists from different contexts where such a rupture took place.